Broadway Bridge and Tunnel Test

The Broadway Bridge and Tunnel Test is our personal and highly opinionated Commuter's Guide to New York theater and cultural events, with an emphasis on Broadway and Off-Broadway theatrical productions. The test is simple: is an event worth the always expensive, time consuming, and too often horrendous struggle to commute to New York City from New Jersey, Long Island, Upstate New York or Connecticut? Only truly great or near-great performances and productions may meet this stiff challenge!

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Location: Princeton, New Jersey, United States

James Camner is an antiquarian dealer of autographs, manuscripts and printed music and books of Opera, Classical Music, Theater, Dance, and Film, as well as a published author of more than 10 books on the performing arts including "How to Enjoy Opera" (Simon and Schuster), "The Great Opera Stars in Historic Photographs" (Dover), "Stars of American Musical Theater in Historic Photographs" (Dover - with Stanley Appelbaum); was for over 20 years a reviewer for Fanfare Magazine and has written feature articles and reviews for Opera News.

Wednesday, July 05, 2006

Sweeney Todd. Music and Lyrics by Stephen Sondheim, Book by Hugh Wheeler. From an adaptation by Christopher Bond. Eugene O'Neill Theatre. I was fortunate enough to see Harold Prince's original ground breaking Sweeney Todd production, and from prime house seats given to me by my old friend Anna Sosenko. That was an unforgettable experience, with a definitive performance by Angela Lansbury as Mrs. Lovett, but this new adaptation in which the small cast are also an onstage orchestra is mind bendingly brilliant. What happens is pure theatrical magic - the multi-talented cast, playing and singing Sondheim's complex score at the same time becomes an organic whole, with the drama pulsing right out of their instruments. The cast is amazing and the extraordinary sight of Patti LuPone playing the Tuba (and the Triangle) is worth the Bridge and Tunnel commute alone. I've never heard an ovation so primally erupt from an audience on Broadway as I did on this occasion. To say that this historic production passes the Bridge and Tunnel Test is an understatement - this is an experience of a lifetime. We didn't even mind being stuck in the tunnel on our way home, feeling as exhilirated as we did. One note of caution however, our daughter saw it on a different night and Patti LuPone did not perform and though she enjoyed the performance, evidentally it was not at all the same. So with Patti LuPone, we give Sweeney Todd an A+. Without Patti LuPone, it falls to B+.

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