Broadway Bridge and Tunnel Test

The Broadway Bridge and Tunnel Test is our personal and highly opinionated Commuter's Guide to New York theater and cultural events, with an emphasis on Broadway and Off-Broadway theatrical productions. The test is simple: is an event worth the always expensive, time consuming, and too often horrendous struggle to commute to New York City from New Jersey, Long Island, Upstate New York or Connecticut? Only truly great or near-great performances and productions may meet this stiff challenge!

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Location: Princeton, New Jersey, United States

James Camner is an antiquarian dealer of autographs, manuscripts and printed music and books of Opera, Classical Music, Theater, Dance, and Film, as well as a published author of more than 10 books on the performing arts including "How to Enjoy Opera" (Simon and Schuster), "The Great Opera Stars in Historic Photographs" (Dover), "Stars of American Musical Theater in Historic Photographs" (Dover - with Stanley Appelbaum); was for over 20 years a reviewer for Fanfare Magazine and has written feature articles and reviews for Opera News.

Saturday, February 16, 2008

Come Back, Little Sheba, a play by William Inge. Manhattan Theatre Club, starring S. Epatha Merkerson, Kevin Anderson and Zoe Kazan. Directed by Michael Pressman. Although we've admired William Inge's plays on film, most especially "Picnic," "Come Back, Little Sheba" was the first opportunity for us to see one up on the boards in a major revival. We were not disappointed - "Come Back, Little Sheba" is a powerful play, a masterpiece, and along with the audience, we were fully engaged with what happened on stage. As Lola, a role created by the great Shirley Booth, S. Epatha Merkerson gives a shattering performance, most especially it is in her quiet moments that she is most eloquent. In an equally heartbreaking performance Kevin Anderson as the poor drunken Doc makes a memorable leap for Broadway stardom. Then there is the remarkable Zoe Kazan who gives a very subtle and layered performance as the pretty young border Marie. The set struck me initially as too busy, but as the action unwound, the set worked perfectly. One of the most effective features of the production is how convincingly the cast inhabits the play's 1950's period setting. Broadway Bridge and Tunnel Test Grade A.

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