Broadway Bridge and Tunnel Test

The Broadway Bridge and Tunnel Test is our personal and highly opinionated Commuter's Guide to New York theater and cultural events, with an emphasis on Broadway and Off-Broadway theatrical productions. The test is simple: is an event worth the always expensive, time consuming, and too often horrendous struggle to commute to New York City from New Jersey, Long Island, Upstate New York or Connecticut? Only truly great or near-great performances and productions may meet this stiff challenge!

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Location: Princeton, New Jersey, United States

James Camner is an antiquarian dealer of autographs, manuscripts and printed music and books of Opera, Classical Music, Theater, Dance, and Film, as well as a published author of more than 10 books on the performing arts including "How to Enjoy Opera" (Simon and Schuster), "The Great Opera Stars in Historic Photographs" (Dover), "Stars of American Musical Theater in Historic Photographs" (Dover - with Stanley Appelbaum); was for over 20 years a reviewer for Fanfare Magazine and has written feature articles and reviews for Opera News.

Saturday, January 31, 2009

The Third Story, a play by Charles Busch at the Lucile Lortel Theatre. Starring Charles Busch and Kathleen Turner, directed by Carl Andress. Every year we subscribe to the MCC Theatre company in order to see their annual presentation of a Neil LaBute play. But at the last minute, this year's was canceled, and we ended up with "The Third Story." We had liked Busch's "Tales of The Allergist's Wife, especially the first act (the second is a relative let down) and with Kathleen Turner, we figured this was a good alternative. Turner is fine, and Busch does his expert work in drag - all right so far. And Busch's concept for a play about writing, imagination, creation, control, children is intriguing. But that's it, that's all there is. All of this, including the superb sets and production is wasted on a sophomoric, inane, campy play without one decent line of dialog. Oh the audience, loving Busch's drag work, chortles. And they laugh at lines like "I'm a Nebraskan at heart" (talk about provincial snobbery). But this is empty, devoid, worthless, not worth the commute, not even worth crossing the street. Because of the cast and production values, we give a + to the grade of F, making this an F+

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