Broadway Bridge and Tunnel Test

The Broadway Bridge and Tunnel Test is our personal and highly opinionated Commuter's Guide to New York theater and cultural events, with an emphasis on Broadway and Off-Broadway theatrical productions. The test is simple: is an event worth the always expensive, time consuming, and too often horrendous struggle to commute to New York City from New Jersey, Long Island, Upstate New York or Connecticut? Only truly great or near-great performances and productions may meet this stiff challenge!

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Location: Princeton, New Jersey, United States

James Camner is an antiquarian dealer of autographs, manuscripts and printed music and books of Opera, Classical Music, Theater, Dance, and Film, as well as a published author of more than 10 books on the performing arts including "How to Enjoy Opera" (Simon and Schuster), "The Great Opera Stars in Historic Photographs" (Dover), "Stars of American Musical Theater in Historic Photographs" (Dover - with Stanley Appelbaum); was for over 20 years a reviewer for Fanfare Magazine and has written feature articles and reviews for Opera News.

Sunday, October 31, 2010

Women on the Verge of a Nervous Breakdown, a musical by David Yazbek and Jeffrey Lane, at the Belasco Theatre. This ambitious musical, based on the classic film by Pedro Almodovar, is in its final week of previews. Changes are apparently still being made, but already there is plenty to savor in "Women on the Verge of a Nervous Breakdown". The score is first rate, one of the best new scores we've heard on Broadway in years and even better perhaps than Yazbek's "Dirty Rotten Scoundrels."
The staging is hugely imaginative and enjoyable. All the stops have been pulled out, video, gorgeous sets, it's all there. The performances will get a lot of award consideration most especially Laura Benanti's manic Candela (she looks incredibly sexy in her costumes), Sherie Rene Scott in what should be considered the lead role, and Patti LuPone who finds her best new role in years as Lucia. I don't think I've heard Brian Stokes Mitchell in more mellifluous form, and Danny Burstein is wonderful as the Taxi Driver. It could use some tightening in the second act and presumably will get some. But already, it is a notable achievement. But will the critics get it? Maybe not. Our Broadway Bridge and Tunnel Test Grade is B+

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